Panasonic GF-1 Review in the Landscape

The Kerrang (or Quirang as its more popularly known to those of us that didnt grow up on death metal) Panasonic GF-1 at f5.6, 24mm (48mm in 35mm terms) 1/100thsec, tripod mounted, 2sec timer.

To the Point (and shoot)

After my last article about the Canon G10 and Ricoh GX200, I was left somewhat disillusioned about the concept of compact cameras in my life. With excessive noise being the Achilles heel of these smaller sensor systems, they remain exactly where I had once left them, as convenient memory recorders, but nothing more. I must admit, the Olympus EP-1 and the new Panasonic GF-1 have had me intrigued since I first read the pre-release hype. Looking like the popular Lumix LX3 on steroids, the GF-1 exhibits all the traits of a pocket compact with slightly larger frame. It is part of a new breed of small cameras to take advantage of the 4/3’s sensor revolution. It has nine times more surface area than a compact camera sensor (which is still less than 16 times smaller than full frame) The 4/3’s sensor is over four times larger than the Canon G10 / G11, just one of the high volume rivals that it tries to wrong foot. In the box are the usual software and manuals to put straight into the loft, charger and battery. Then there is the dinky matchbox sized 14-45 lens. Attaching it to the body makes you feel somewhat boy-like. It’s lightweight and perhaps a little plastic, but with quality glass elements courtesy of that enticing Leica partnership, a building sense of possibility begins.

Conventional looks but quality build and the relief of SLR handling makes this feel very good from the start.

Now I can go on about the myriad of functions and features that the camera holds, but there are plenty of reviews out there to cover that. Here’s a quick bullet list of the handling points that seriously impressed me using the camera in the landscape –

• Using a compact with manual focus and zoom rings is an utter relief. I can approach my landscapes with SLR working method.
• The screen is bliss, almost like a profiled monitor. It is neutral looking and reviewed images produces realistic hues and saturation (many compacts over saturate and over brighten the LCD)
• Display modes are well thought out, with a ‘simple view’, displaying aperture and shutter speed, which is often all you ever need in the landscape.
• Aperture values go down to f22, just like a DSLR. (more on this below)
• Quick change between AF and MF.
• It has a killer feature - depth of field preview and a Live View zoom feature, just like my DSLRs. I can actually focus my landscapes hyperfocally without guesswork by using them in partnership.
• In MF mode the camera jumps to magnified view as soon as the MF ring is turned, meaning perfect focusing every time.
• Easy change between 2Sec timer, single shot and continuous modes.
• Slightly squarer files from the 4/3 sensor starts to feel a bit like medium format.

Not so keen on –

• Menu system looks dated, fonts look squished and misshapen. It's looks pretty boring to navigate through.
• Thumb wheel needs to be bigger. Not easy to use with gloves.
• My review model wasn’t red! They look very cool.
• (not mentioning the weak flash as its a landscape article, but it is noted)

Sligachan - Taken at f16, 18mm (36mm in 35mm terms) 1/3secs, ISO100 and hyperfocally focused, (yes thats right, f16, not f8 where all other point and shoots stop), its as easy to be artistic with such a small camera, thanks to its uncomplicated DSLR handling.

Lens Quality

After testing the lens to see where diffraction and softness occur, the 14-45 kit lens was very impressive. The usual home testshots of a field and stone wall showed the optimum aperture was f5.6. Tests shot at f8 were also excellent with the images almost non-distinguishable. Diffraction kicked in soon after. Images shot at f16 were slightly soft, but it was nice to find a sweet spot, again similar to many DSLR lenses of the same focal lengths. Diffraction issues can be compensated in RAW software with a midicum of extra sharpening.

Awesome Image Quality

Now this is where this camera simply blew me away. Online reviews and other magazines all agree that the JPEG output could do with some improvement and I agree, but for literally all landscape photographers, imagery is all about the RAW file at base ISO. I am excited to report the Panasonic GF-1 is a landscape killer; the images are absolutely stunning and I mean it.

This pocket rocket and 14-45 lens will have you double taking back home on the computer. Tripod mounted and set to optimum apertures, sharpness is like nothing I have ever seen from a camera this compact. The RAW files are clean, neutral looking, with realistic colours, tone, exceptional clarity and the all important bite of micro contrast. It is the shadows that immediately set this camera apart from the compact market. They render darks and deep shadows just like a DSLR, unlike the messy blacks I am unfortunaltely used to from other point and shoots.

Comparing the files to a friends D300 (also 12mp) I was hard pushed to tell the difference I have to say. Noise is also a marked league above the G11 and similar rivals. After using the GF-1 for a quick shoot for a tripod review, I was literally in disbelief at ISO 1600, left enabled by mistake for the entire shoot. ISO100 – 400 are excellent, ISO 800 is also very usable but it is from here that the quality drops away.

My friend Tim and I began questioning the point of anything but this camera as the weapon of choice for long distance walks and mountain climbs. Its certainly not a compromise. If I was pushing myself to the limits high on a ridge, I am starting to think that the GF-1, 14-45 and a decent tripod system is all I would ever need.

Composition Collecting - Subtle colours and tones are realistic with the RAW files responding well to increases in exposure and other post production toning.

Continuity

After this initial revelation, I was using the camera to mirror every scene I took with a DLSR, just for the sheer joy of it. My working method became intuitive and I barely had to enter the cameras menus whatsoever for my basic landscape needs. What was funny was that I kept head butting the camera as I raised it to my eye, trying to look through the non existent viewfinder, that's how at home I felt.

The GF-1 is a true alternative to the DSLR and my creativity can run riot, in almost the same way. After my lacklustre feelings from the questionable mind set I covered in the ‘Pointless and Shoot’ article, the Panasonic GF-1 simply wipes the floor with anything I have tested in the same sphere. I haven’t been so positive about a compact system before. Finally a top quality, light weight landscape camera has been born. As a backup to a 21mp system or as a trip based on the walk than the photos (is there such a thing?) the GF-1 is a superb camera only held back by your own imagination.

Highly, HIGHLY Recommended.

**NEWS - taking hold of the Sigma 10-20 4/3s lens to continue the testing and imagery with super wides in Canada - watch this space.**

Classic Reflections - Taken at f5, 1/40th sec, with a handheld polariser. Simple to line up with the generous viewfinder and easy to pin point focus thanks to the enlargement zoom feature.